Match the destination, not the source master
A camera or screen recording may be much larger than the place where it will be watched. Choose the largest dimensions that the destination actually needs rather than preserving unnecessary pixels.
Change video dimensions while preserving aspect ratio.
Server processing · up to 50 MB per file. Worker availability is checked before upload.
Enter a width and a height and the video is scaled to fit inside that box with its proportions kept, then re-encoded as an H.264 MP4 (CRF 28, veryfast preset) with AAC audio. Both sides are rounded to even numbers, which H.264 players expect.
| Source | Box entered | Result |
|---|---|---|
| 1920 × 1080 landscape, 20 s, 15.71 MB | 1280 × 720 | 1280 × 720, 1.81 MB |
| 1080 × 1920 portrait, 10 s, 8.60 MB | 1280 × 720 | 406 × 720, 0.41 MB |
| 1080 × 1920 portrait, 10 s, 8.60 MB | 720 × 1280 | 720 × 1280, 0.99 MB |
| 1440 × 1080 (4:3), 5 s | 1920 × 1080 | 1440 × 1080, no stretching |
| 640 × 360, 3 s | 1280 × 720 | 1280 × 720, enlarged |
If the goal is a smaller file at the same dimensions, use the Video Compressor; if you need exact dimensions with bars or a crop, use a video editor.
Measured on 2026-10-19 by running this tool’s FFmpeg command (scale with force_original_aspect_ratio=decrease, libx264 CRF 28) on synthetic test clips, not on user uploads.
Input: MP4, MOV, MKV, AVI, WEBM · Output: MP4.
Heavy processing uses the dedicated media worker instead of blocking the web request. Keep the source until you have checked the generated result.
Resize video when the destination needs different pixel dimensions; keep the aspect ratio unless the destination explicitly requires a different shape.
Phone and social uploads
Web embeds
Reducing oversized source dimensions
A camera or screen recording may be much larger than the place where it will be watched. Choose the largest dimensions that the destination actually needs rather than preserving unnecessary pixels.
Locking the original ratio prevents stretched faces, circles and logos. If a destination needs a different shape, crop or add padding deliberately rather than distorting the frame.
Two videos with identical dimensions can have very different file sizes because their codecs and bitrate differ. Resize for dimensions and compress for encoded size.
Downscaling removes some pixel detail. Upscaling increases dimensions but cannot recreate detail that was absent from the source.
Use the destination requirement or the largest size you actually need for viewing. Avoid exporting a much larger frame than the destination can display.
No. Resolution is pixel dimensions. Quality also depends on bitrate, codec, frame rate, source quality and the content itself.
A good video size depends on where it will be watched. Resize Video is for changing the pixel dimensions without treating every upload as if it needed the largest possible frame.
Keeping the aspect ratio avoids stretched faces, circles and logos. Unlock exact width and height only when the destination explicitly requires a different shape.
Resolution and file size are related, but they are not the same thing. Two videos at the same dimensions can still have very different sizes.
Use a destination-sized preview where possible, then check text and fine details at normal playback. If the file is still too large, compression is the next step rather than repeatedly resizing.
Choose the next operation that matches what you need to do with the file.
Downscaling can remove detail, while upscaling cannot recreate detail that was not present in the source. Keep the original when quality matters.
Choose the resolution required by the destination or the largest size you actually need. Avoid exporting much larger than the viewing context demands.
Yes. Keep the aspect ratio locked when the destination does not require a fixed shape.
No. Resizing changes dimensions. Compression changes how efficiently the media is encoded. They can be used together.